Small Southern Towns: They Ain’t Always Quaint

By C. Hope Clark

     Born in Mississippi and raised in South Carolina, my roots run crazy deep into the Delta soil of one state and the Lowcountry pluff mud of the other. My grandfather ran a cotton farm, and my grandmother taught me to eat homemade biscuits with maple syrup warmed on the gas stove. When I told them as a child that picking cotton didn’t look so hard, back before a lot of farmers could afford cotton picker machines, my grandmother sewed a miniature (and floral) cotton sack and ushered me to the fields. I never questioned the ease of manual labor again, especially on a farm.

So no surprise that I wound up with an agriculture degree from Clemson and fell in love with everything rural. After a career in that realm, I turned to writing my mysteries. And guess what showed up in the stories? Crime in the country.

Newberry Sin is the fourth in the Carolina Slade Mystery Series, with the setting in a small rural community actually named Newberry.

All rural Southern communities come off as quaint upon first blush. White antebellum homes, some kept up royally while others are allowed to age, a few not so gracefully. Rockers on the porches and flags on the columns. The American flag, of course, accompanied by the state flag and/or one for the appropriate football-playing university. Azaleas, of course, plus forsythia, dogwood, camellia, and spirea dotting the yards in pastels and white. Southerners love their flowers.

And behind all that charm are stories to curl your toes. The older and more quaint the town, the more stories are whispered behind hands at luncheons and skeletons hid in closets behind the winter coats.

I won’t spill her name, but in my research on small towns, trying to find yet another to use in a novel, this homegrown native greeted me for lunch with a pound cake, apparently a tradition, and she wouldn’t allow me to pay for my own lunch, because I was a guest in HER town. Newberry . . . the center of the universe, she said. “You ought to make us a setting in one of your books.”

She elaborated the details of Revolutionary War skirmishes and the passed-down stories of ghosts, affairs, and what could only be miracles that kept some of their ancestors alive during battles.

Railroads, bars, and (cough) painted ladies helped originate the town. A room still existed in a still-standing community center that harbored any gentleman farmer’s wife for the duration of the time he did business in town, so the wife didn’t come in contact with the street walkers.

Many a husband and son fought in the War Between the States, the cemetery sprawling for acres. Graves still maintained with insignias, with current ancestors maintaining the sites with stiff, admiring pride. Several families retained bragging rights that five ancestors signed the Order of Secession, causing South Carolina to lead the way for 10 other states to follow.

Of course, ghosts abounded, from any and all of the wars, not to mention the occasional lover’s loss, leaving them roaming in search for their paramour. One jumped from the bell tower of the local college. The Bride of West End still awaits her groom for their wedding. Molly’s Rock serves as a magnet for spirits who took their own lives.

Beneath the old Ritz theater, one could supposedly still hear screams where ages ago the homeless were murdered. At the Newberry Opera House, the ghost of Penelope made a fairly frequent appearance, moving seats and closing doors.

And someone way back got in legal trouble, relocated to Australia and became a cannibal.

I couldn’t write it all down.

Newberry has it idiosyncrasies and colored past, but so does every other sweet little Southern town and crossroad. It just takes you inviting someone local to lunch and asking, “I’m looking for a setting for my book.” Honey, you’ll fill a notebook with stuff that isn’t in any history book.

C. Hope Clark’s newest release is Newberry Sin, set in an idyllic small Southern town where blackmail and sex are hush-hush until they become murder. The fourth in the Carolina Slade Mysteries. Hope speaks to conferences, libraries, and book clubs across the country, is a regular podcaster for Writer’s Digest, and adores connecting with others. She is also founder of FundsforWriters.com, an award-winning site and newsletter service for writers. She lives on the banks of Lake Murray in central South Carolina with her federal agent husband where they spin mysteries just for fun. www.chopeclark.com

Newberry Sin

Book 4 of The Carolina Slade Mystery Series

EPIC Award Winning Series

“Author C. Hope Clark brings to life . . . endearing and strong-minded characters that linger in your mind long after the last page is turned.” —New York Times bestselling author Karen White

Beneath an idyllic veneer of Southern country charm, the town of Newberry hides secrets that may have led to murder.

When a local landowner’s body, with pants down, is found near Tarleton’s Tea Table Rock—a notorious rendezvous spot, federal investigator Carolina Slade senses a chance to get back into the field again. Just as she discovers what might be a nasty pattern of fraud and blackmail, her petty boss reassigns her fledgling case to her close friend and least qualified person in their office.

Forced to coach an investigation from the sidelines, Slade struggles with the twin demons of professional jealousy and unplanned pregnancy. Something is rotten in Newberry. Her personal life is spiraling out of control. She can’t protect her co-worker. And Wayne Largo complicates everything when the feds step in after it becomes clear that Slade is right.

One wrong move and Slade may lose everything. Yet it’s practically out of her hands . . . unless she finds a way to take this case back without getting killed.

A quick insight into Rob Sangster’s process for writing Ground Truth!

I met the (future) love of my life at a party in an elegant home on the bank of the Mississippi River.  She was a novelist, a mystery writer. My professions were real estate development and practicing law, but I’d written an award-winning book on international travel, so I said, “What a coincidence. I’m a writer, too. May I offer you a glass of wine?”

Before long, to maintain a shred of credibility in this blossoming relationship, I felt compelled to figure out how to write a novel. My insatiable curiosity required me to write Ground Truth. When I discover something intriguing, I feel driven to explore it. If the topic turns out to be on the breaking wave of reality and is likely to come true in the foreseeable future, I make it the center of a suspenseful corkscrew of a plot. Then I populate the story with complex characters pursuing goals that inevitably bring them into conflict.

In Ground Truth, the action takes place in a corrupt law firm in San Francisco, a sacred cave in a Mexican mountain (where the sacred cave is crammed full of unstable nuclear material), and the Oval Office.

Ground Truth reached #1 on Amazon Kindle and is receiving very favorable reviews. My second novel, Deep Time, won the EPIC Award as Best Suspense/ Thriller novel of 2017.

The relationship that started all this is going strong and my curiosity remains unquenched, so my third suspense/thriller will be published this year.

Ground Truth by Rob Sangster is on sale for $1.99 until the 28th!

“A masterful, high-stakes thriller.”

—Lisa Turner, bestselling author of A Little Death in Dixie

Practicing law has never been so deadly.

Hotshot Stanford law professor Jack Strider is on the fast track to serve on the Supreme Court until a bullet and a nasty, front-page family scandal shatter that ambition.

After he’s unjustly fired from the law school faculty, a powerhouse law firm run by a former Secretary of State offers Jack a job and a chance for redemption. His first assignment: do whatever it takes to defend a sleazy corporate client in Juarez, Mexico, the Murder Capital of the World. Soon, Jack realizes that if he can’t stop his client, millions of people on both sides of the border will be poisoned.

Plunged into the violence of the Texas-Mexican borderlands, Jack discovers that he can trust no one, not even the law firm he works for, so when attorney Debra Vanderberg is sent to assist Jack, he doesn’t know whether she’s an ally or a spy. He has no choice but to trust her and pray he isn’t wrong.

Racing against the clock and dodging bullets, Jack and Debra uncover corporate greed and political corruption that lead all the way from a sacred cave in the Mexican mountains to the Oval Office. When the President of the United States refuses to stop the impending catastrophes, Jack risks everything, including his life. But can he learn the “ground truth” fast enough to save the millions destined to die?

Happy Reading!

BEGINNINGS

I love to watch movies about how famous people got their start, especially singers.  The other night I saw a TV rerun of WALK THE LINE, the biopic about Johnny Cash. There’s something fascinating about how he barged into Sam Philips’ recording studio in Memphis and talked the man into giving him an audition.  Cash and his two buddies do a gospel song for Philips and he’s obviously not very interested. When they finish, Philips says, “I can’t sell gospel music. Got anything else?” That’s the big turning point.  Philips didn’t say Cash couldn’t sing.  He wanted to hear something different. Now, I’m on the edge of my seat.  What did Johnny Cash do next? He sang a little song he wrote himself, FOLSOM PRISON BLUES.  And that sealed the deal.  By the way, Joaquin Phoenix played Johnny Cash and really sang the songs himself.  Amazing.

My interest in big breaks that launch careers isn’t limited to singers. It also extends to writers (big surprise).  The story about how Stephen King sold his first book sounds as though it was scripted for dramatic effect.  As many of you may know, his first novel was Carrie, a tale of a bullied young girl with telekinetic powers who takes revenge on her tormenters.  Initially, he wrote three pages of what was intended to be a short story, then believing it was no good, tossed the pages away. His wife later took them out of the trash, read them, and encouraged him to develop the story into a novel.  After thirty publishers rejected the book, Doubleday picked it up for a modest advance. The hardcover sold only 13,000 copies, but the paperback rights went for $400,000, half to King, half to Doubleday.  The sale of this book rescued King and his wife from a barely solvent existence.  For more details on all this, see http://mentalfloss.com/article/53235/how-stephen-kings-wife-saved-carrie-and-launched-his-career

I also like to hear stories about how people met their spouses. Here’s mine. I first saw my future wife when my family traveled from our home in Toledo, Ohio, to Jacksonville, Florida, for my uncle’s wedding.  At the home of the bride to be, I was introduced to her incredibly gorgeous younger sister, Lois.  This dazzling girl was dressed in a sparkling white blouse and white shorts.  On the floor was a toddler eating some kind of soft candy that he had smeared all over his fingers and face.  Suddenly noticing that his mother had left the room, the toddler began to cry.  Thinking only about the welfare of the little boy, Lois picked the child up in her arms to comfort him. This of course soon led to the toddler smearing candy all over Lois’s white blouse. And Lois didn’t mind at all! I knew then that this girl was also beautiful on the inside.

For several years we communicated with each other by letter and phone calls (this was long before the invention of texting and Skype).  Then, for a variety of reasons, (rigors of college mostly) I stopped writing. One day I received a card from Lois.  On the front it said, I’D LIKE TO GET ON YOUR GOOD SIDE.  Inside, it read, IF YOU HAVE ONE.

Over fifty years later, I still admire her for choosing that card.  She humbled herself by letting me know she was still interested, but also, at the same time, managed to stick it to me.

In thinking about how people meet, I’m reminded of Carl and Beth, the two lead characters in my medical thriller, THE BLOOD BETRAYAL. (Yes, we’ve now come to the commercial portion of our program) Anyway, I’m willing to bet that no two people ever met in a more unusual manner than those two.

I can imagine Carl relating the story to one of his grandkids.

“Tell me how you and Grandma met,” the boy says to Carl.  Carl smiles, thinks back, and shakes his head.  “Well, I was driving away from this little town where I’d just upset the local doctor so bad that I was sure he wanted to kill me. Then the craziest thing happened.”

“What?” the boy asks.

Carl reaches for a book and hands it to his grandson.  “It’s all in here, my boy.  And better understood if you read about it yourself.”

I’d tell you more, but I agree with Carl that you should read the book for yourself and not depend on someone like me to interpret it for you. (Although if you were going to rely on a guide through it, I’d probably be a good choice.)

-Don Donaldson

THE BLOOD BETRAYAL is on sale for just $1.99! Grab it today!

MEMORY LOSS: THE GOOD THE BAD AND THE UGLY

by Don Donaldson

I once saw a guy on TV who could tell you what the weather had been every day of his life since he was six years old. He was what they call a Savant.  He wasn’t normal.  The normal brain is supposed to forget experiences like that, thereby keeping itself uncluttered enough that it can remember more important things. For example, while driving your car, it’s always good to remember which pedal works the gas and which one stops the vehicle. When crossing the street on foot, does the upraised hand on the signal across from you mean stop or go? Okay, I think you get the idea.  So forgetting what you had for breakfast on Sept. 15, five years ago, is nothing to worry about.  And nobody does.  (Except for detectives who are always asking people where they were or what they were doing so long ago nobody could give them a satisfactory answer.)

It takes a lot of memory to function normally.  What does my car look like?  Where do I live?  What’s my name? People generally don’t have trouble with questions like that because those memories are extremely important and they get reinforced practically every day.  But for many of us, anniversaries and birthdays sometimes get lost in the myriad of activities a typical day requires. If asked, we could recite the date of those special events, but we just forget to remember them at the appropriate time.  For men, those memory slips can be classified as bad or very bad depending on the temperament of their spouse.

In contrast to what I’ve described above, suppose you look at the clock one day and discover that you’ve lost four hours and have no idea what you did or where you were during that time. That’s not only an example of an ugly kind of memory loss, it’s one that would terrify you.  Now imagine that it happened for the first time shortly after you started your new job at a mental hospital where some of your patients were criminally insane. Did you leave any of the insanity wards unlocked?  Were you alone with any of the dangerous inmates?  What the h… is happening to you?

That’s the situation facing the lead character in my book, THE MEMORY THIEF. Marti Segerson has accepted a job as staff psychiatrist at an old mental hospital in a rural area of Tennessee.  She’s there to seek revenge on one of the inmates for something that happened to her when she was a child. She has a good plan, but couldn’t have anticipated the horrific events that soon overtake her.

In all my medical thrillers I try to push the existing frontiers of knowledge just a bit farther into the future.  It’s interesting to me that some readers will not accept such a thing.  They judge an event or situation in a novel to be believable only if it has already really happened somewhere.  But where’s the fun in that? To me that’s like preferring to get a nap in the hotel while the rest of the group is climbing on a bus for a sightseeing trip to some exotic location. When it comes to writing, I’d rather get out of the hotel.  In THE MEMORY THIEF, The nature of memory, how it’s captured, how it’s recalled, where in the brain it’s stored; all provided fertile ground for the kind of story I like to tell. I hope it’s one you won’t soon forget.

So who wants to go sightseeing with me?

Don Donaldson’s THE MEMORY THIEF is on sale for just $1.99 til the 15th! Pick it up today! 

Click the cover to view:

BOOK TITLES: WHAT MAKES THEM GREAT

By Don Donaldson

It’s a constant surprise to me that I’m able to write books that are liked by people who aren’t my mother.   But I often can’t figure out what the title of a book should be.  Oh, I know when a title is great and so do you… It’s like the dealer at a flea market who once said to me when I picked up an expensive item to look at more closely… “You have good taste.”  Then, while I was secretly preening at his compliment, he added,  “Of course, it’s not that hard to spot quality.”   It’s the same with book titles.  Here’s a test:  What do you think of this title?  THEY DON’T BUILD STATUES TO BUSINESSMEN.

To me, it’s awful.  I’d think so even if I’d been the one to come up with it.  Actually, it was the famous writer, Jacqueline Susann, who crafted that one for a book that eventually became a mega best seller as VALLEY OF THE DOLLS.  Does anyone out there like the first title better?  Okay…. So there’s always someone who enjoys being a contrarian.  But all the rest of you I’m sure gave the right answer.

Let’s try another.  How about ALL’S WELL THAT ENDS WELL?  That’s actually not horrible.  But it doesn’t sound like the sweeping saga the author wrote.  I certainly think the title it was eventually given, WAR AND PEACE, is soooo much better.

I once had an agent who told me that they had a consultant who was a “genius” at titling books.  I guess he was too busy to take a look at the book the agency titled for me.  (I’ll never tell which one it was, but will say that when BelleBooks reissues it later this year, it will have a new title.)

So, it’s easy to know a great title when you see it, but boy is it hard to come up with one.  I usually sit for hours playing with words and rearranging them in what I hope are creative ways.  No matter what title I eventually settle on for a book, I have this nagging suspicion that even if I really like the one I pick, there was a much much better one I could have used.  I just couldn’t find it.  My WAR AND PIECE was out there, just beyond reach.

Okay, a final test, and maybe you already know this one.  Which of these titles is better?  TOMORROW IS ANOTHER DAY, or the one that has become an icon: GONE WITH THE WIND.  See, even our contrarian from above picked the right answer.

Well, I’ve used up my allotted space here so all I can do now is be GWTW.

-Don

This month get Don Donaldson’s THE MEMORY THIEF for only $1.99 at Amazon Kindle!