Bell Bridge Books

I write fast.

My career is built on being able to crank out a novel a month. Yes, you read that correctly, a novel a month.

Is this a good thing? Well, it sure helps pay the bills.

Are the novels any good? My fans and readers seem to like them and the reviews tend to back that enthusiasm up.

Can they be better? Ah. There’s the rub. Can they be better…

The quick answer: yes.

The long answer: of course, but it has absolutely nothing to do with the timeframe in which I write those novels.

You see, even if I was given a year to complete a novel, I’d probably still write it in four weeks. That’s my style, that’s my groove.

That’s where the editor comes in.

When I finished Stone Cold Bastards and turned it in, I thought I was done. The other publisher I work with would have put the manuscript through some rigorous proofreading for typos and grammar and all that jazz, but they would have trusted that the story itself was solid and off it would go to the printer and to the ebook formatting elves. Nothing wrong with that. I write tight, so I’m comfortable with a quick turnaround.

Except every manuscript can be improved upon and SCB was certainly one of those manuscripts. I know, I know, how can you improve on a novel about a ragtag team of misfit gargoyles tasked with protecting the last of humanity from the demon-possessed hordes that have taken over the world? I know, right? That’s perfection in a nutshell.

But SCB needed tweaks. The characters needed better motivation. They needed to care. They needed to want to survive and/or help others survive. They had distinct personalities, yes, but so what? That’s where the editor steps in and helps turn a good novel into a great novel.

I fixed those characters. I made them care about others and about themselves. And in doing so, I made the reader care about them too. I wouldn’t have seen that flaw if it wasn’t for that extra editing. I would have moved on to the next novel and forgotten all about SCB. But the skill and experience of Bell Bridge Books, forced me to take another look at the manuscript. And another. And another. Until it was just right. Until it was the novel it was supposed to be, not just the novel I turned in.

In these days of self-publishing and the race to get novels to market, I think many writers forget the value of a good editor. For me, I never knew the value until I experienced it. Now I’m spoiled.

Yes, I’ll still write fast. I won’t deviate from my novel a month pace because that’s the writer I am. But it makes things easier, it takes a little bit of the load off my shoulders, knowing that the novel I produce at the end of that month can still be made better and I don’t have to go about that task alone.

All thanks to the editor.

About the Author:

Jake Bible, Bram Stoker Award nominated-novelist and author of the bestselling Z-Burbia series, short story writer, independent screenwriter, podcaster, and inventor of the Drabble Novel, has entertained thousands with his horror and sci/fi tales. He reaches audiences of all ages with his uncanny ability to write a wide range of characters and genres. Other series by Jake Bible: the bestselling Salvage Merc One, the Apex Trilogy, the Mega series, and the Reign of Four series. Jake lives in the wonderfully weird Asheville, North Carolina.  Connect with Jake on Facebook, Twitter, and his website: jakebible.com

IT PROBABLY HELPS TO BE A FEW FRIES SHORT OF A HAPPY MEAL

A few days ago, I came across some notes I made while plodding though the literary landscape in search of an agent who would represent my debut novel, EYEWALL.  The notes were compiled in 2009 – a couple of years prior to EYEWALL’s publication.  I had no recollection of making them, but there they were.

What they were was this: a compilation of comments agents had made about the manuscript, both pro and con.  I assume I kept them to remind me to focus on the positive remarks as opposed to the negative ones, since I tend to be a glass-half-empty kind of guy instead of a glass-half-full one.  In other words, I needed an antidote, the “pro” comments, to ward off the poisonous effects of negative reviews.

If you’re a published writer or are looking for an agent, then you know exactly what I’m talking about. If you aren’t, then what follows will provide a little insight into what authors face as they trek along the winding, unpaved road to publication.  In my case, the road turned out to be ten years long and strewn with four different manuscripts.

If nothing else, a review of the comments I received serves as a vivid reminder of how TOTALLY SUBJECTIVE the endeavor of assessing manuscripts is.  And I know this from both sides of the aisle now, since I occasionally judge writing competitions.

So here we go.

According to my notes, I lacked genuine talent as a writer.  One agent said she was “not that impressed by the writing.”  Another dissed my execution as “a bit dense and overwritten.”

Time for a big swallow of my antidote.  “You have a gift of description which is lushly depicted,” declared one agent.  Another pointed out: “Your language in descriptive passages really impressed me.”  Okay, perhaps there’s a glimmer of hope for me.

I apparently had trouble kick starting the story, however.  One agent pointed out the first two chapters were “not compelling enough.”  But another told me, “Very nice writing, especially the first chapter.”  Hmmm, maybe I sent out two different manuscripts.

Then there was the issue of driving the drama forward.  “More slow-moving than I’d hoped,” one reviewer complained.  Another griped, “The details get in the way of what should be more fast-paced and gripping.”

Happily, there was an opposite assessment: “Starts off fast paced right from the beginning.”

The body blows were relentless, however.  Agents were “not sufficiently engaged; not sufficiently enthusiastic;” or found the tale “a bit predictable.”

Thankfully, there were always the counterpunches to keep me going: “Great and timely concept, one with clear marketability,” and “you write well and deserve an agent with the time to properly represent you.”

It took me another year before I found such an agent.

In the end, I’d have to say the pro comments were more on target than the cons.  EYEWALL went on to become a number-one best seller on Amazon’s Kindle Store.

That’s just the kind of goofy business this is.  It’s a game with only self-defined rules, amorphous boundaries, and no referees.  One that’s both fun and terribly frustrating.  To play it, you have to be tenacious, thick-skinned, and probably a few fries short of a Happy Meal.

Pick up EYEWALL by H.W. Buzz Bernard today for just $1.99!

St. Simons Island, Georgia, has never been hit by a Category 5 hurricane. Until now.

No one predicted the storm’s sudden force. A crippled Air Force recon plane, trapped in the eye of a violent hurricane. An outspoken tropical weather forecaster, fired from his network TV job before he can issue a warning: the storm is changing course and intensifying. A desperate family searching for a runaway daughter on Georgia’s posh St. Simons Island, cut off from escape as the hurricane roars toward them. A marriage on the rocks; an unrequited sexual attraction; a May-December romance. All will be swept up by the monster storm.

Get ready for a white-knuckle adventure.

And don’t forget to grab H.W. Buzz Bernard’s other great Bell Bridge Titles as well!

About the Author:

H. W. “Buzz” Bernard is a best-selling, award-winning novelist.

His debut novel, EYEWALL, which one reviewer called a “perfect summer beach read,” was released in May 2011 and went on to become a number-one best seller in Amazon’s Kindle Store.

PLAGUE (“One of the best thrillers of 2012″–novelist Al Leverone) came out in September 2012, and won the 2014 EPIC eBook Award in the suspense/thriller category.

SUPERCELL (“Races along with the speed of a twister”–novelist Michael Wallace) was published in late 2013 and became a best seller on Kindle as well as the winner of the 2015 EPIC eBook Award in the suspense thriller/category.

Buzz’s fourth novel and third in his “weather trilogy,” BLIZZARD (“A terrific book”–novelist Deborah Smith) was released in February 2015. It led to his nomination for a 2016 Georgia Author of the Year award.

CASCADIA (“heart pounding”–Reed Farrel Coleman, NYT best-selling author WHERE IT HURTS) hit the market in July 2016.

Before becoming a novelist, Buzz worked at The Weather Channel as a senior meteorologist for 13 years. Prior to that, he served as a weather officer in the U.S. Air Force for over three decades.  He attained the rank of colonel and received, among other awards, the Legion of Merit. His “airborne” experiences include a mission with the Air Force Reserve Hurricane Hunters, air drops over the Arctic Ocean and Turkey, and a stint as a weather officer aboard a Tactical Air Command airborne command post (C-135). In the past, he’s provided field support to forest fire fighting operations in the Pacific Northwest, spent a summer working on Alaska’s arctic slope, and served two tours in Vietnam. Various other jobs, both civilian and military, have taken him to Germany, Saudi Arabia and Panama. He’s a native Oregonian and attended the University of Washington in Seattle where he earned a bachelor’s degree in atmospheric science; he also studied creative writing. Buzz currently is vice president of the Southeastern Writers Association. He’s a member of International Thriller Writers, the Atlanta Writers Club and Willamette Writers. He and his wife, Christina, live in Roswell, Georgia, along with their fuzzy and sometimes over-active Shih-Tzu, Stormy.

Buzz’s Website can be found at www.buzzbernard.com.

From WALLY AVETT, Martins Creek, Murphy, NC   Jan. 3, 2017

I wrote LAST BIGFOOT IN DIXIE for my friends and readers here in our little mountain town, sometimes compared to Mayberry. I still write a column for our weekly newspaper where I was editor during the 1970’s. So, I know them and they all know me.

And to a certain degree, their stories fuel my stories. Like all my books, LAST BIGFOOT IN DIXIE is inspired by true incidents that actually happened; some I witnessed, some I participated in, and some I was told about.

There’s a gentle love story, backwoods humor, and some mystery. Real, indigenous characters are easily recognizable to my local readers.

Yes, it’s fiction, but a little girl from Ohio was really killed and partially eaten by a black bear in a nearby U. S. Forest Service campground. And, there was a small-town doctor who sold hillbilly babies to rich couples from Atlanta and Chattanooga, and kept no records. There was even once a Yankee gold payroll stolen away by the bushwhackers, but only in LAST BIGFOOT IN DIXIE did it end up buried under Wal-Mart!

My “brain trust” consisted of four faithful buddies who did first readings of all my manuscripts. Some got testy about the title I had chosen. “Who is the real Bigfoot?” they nagged. “Was it the giant Cherokee or the killer bear?”

I politely answered that it could be either one. They got upset and said, “You wrote the damn book and you don’t even know?”

It is what it is. You, gentle critics, make the call.

Happy reading – hope you enjoy LAST BIGFOOT IN DIXIE.

Pick up LAST BIGFOOT IN DIXIE for just $0.99! Don’t wait! This deal ends 1/31/17!

Killer bear, Appalachian psycho, Yankee gold . . .

He’s on the trail of something big . . .

Deep in the Great Smokies, a huge black bear kills a child at a campground, and a hunt begins in a quiet mountain community where such threats are rare. Wade, an outdoorsman and backwoods columnist, is quickly deputized to find and slay the massive beast terrorizing tourists and locals alike.

While on the trail, he is wounded by a pot-grower’s booby trap and stalked by Junior, an authentic Appalachian psychopath. Two fellow deputies are gunned down, and rumors of buried Civil War gold surface. Wade gets unexpected assistance from a wannabe writer whose gifts prove helpful even after mushroom trances and spiritual quests—enhanced by a Minnesota Vikings horn-helmet.

The discovery of a mysterious doll ties into grisly murders from the past, and Wade meets a tough, old Marine with a puzzling treasure map. All the while, the looming threat of Junior’s lethal lunacy stalks Wade and his colorful allies.

And don’t forget to pick up Wally Avett’s other Bell Bridge title: MURDER IN CANEY FORK:

It’s the trial of the century in a 1940’s North Carolina town.
Murder and vigilante justice.
War hero and law student Wes Ross has to save his uncle–but hide the truth.

Taught to shoot in the rough logging camps of the North Carolina swamps, Wes Ross remembers his lessons well. Dodging hostile gunfire with dozens of other young Marines, he storms a remote Pacific island as one of Carlson’s Raiders in the first commando-style attack of World War II. He blasts several Japanese snipers from their palm-tree hideouts with buckshot before an enemy bullet sends him home.
The Carolina homefront includes a new girlfriend and a new occupation, learning to be a rural lawyer in his uncle’s law office, including courtroom intrigue and what goes on behind the scenes. Wes, like his uncles, is a good man, the kind who takes up for the poor and downtrodden, looking out for those who are easy prey for bullies.
Frog Cutshaw is the storekeeper in the Caney Fork backwoods, a swaggering ex-moonshiner who is deadly with his ever-present .45 auto pistol. Frog’s daylight rape of a married woman and the brutal killing of her husband bring on Bible Belt vigilante justice, an eye for an eye, a life for a life.

About the Author:

Wally Avett is a retired journalist living in the Great Smoky Mountains of extreme southwestern North Carolina.
“My father was a country preacher,” he says. “So I grew up with good storytellers all around me, friends and family.
“For me, good writing has to be based on truth. I write like my Granny used to make quilts, producing fiction which is actually fashioned from bits and pieces of raw truth, modified and shaped as needed.”
He is an avid reader and gardener, a Sunday School teacher and bluegrass gospel singer, hunter, fisherman and reluctant handyman. He likes history, sometimes sells mountain cabins to retirees fleeing the heat of Florida and often tells funny stories.

DO PUBLISHERS AND EDITORS READ BOOKS PUBLISHED BY OTHER PRESSES?

By Danielle Childers

Do publishers and editors read books they didn’t publish?  You betcha!  After all, we’re in this industry because we love good books. We’re such reading harlots. So I have no shame in presenting you with A Library Trollop’s Reading Recommendations!

I’m absolutely obsessed with retro fiction right now.  The stunning covers. The world events. The vintage feel. When I pick up these books it’s like they whisper “I’ve lived.  Read my wisdom. Experience my days.” And lately I’ve been reading new books about old summers.

I am super late to the party to read Beautiful Ruins by Jess Walter (Harper Perennial). But I was so excited that I purchased it in hardback. A luxury when you have to fund my reading habit.  A story within a story. A movie within a novel. The azure coast of Itlay. The 1960s.  An actress. An innkeeper. The filming of Cleopatra.  “The only thing we have is the story we tell.”

Yes.  It was beautiful. The writing. The imagery. The book.  Yes, this is literary fiction of a sort, but as a former librarian, I am bone tired of the limited genres we have to describe books that are just…more.  It’s vintage fiction. It’s retro-glam fiction.  It’s geographic fiction. It’s gently epic and strangely modern. It’s amazing. Read it. But don’t read it as a guilty pleasure. Read it like the clever and cultured book that it is. Read it with a touch of awe and leave your critique behind. Just…enjoy it.

Still on a high from Beautiful Ruins, I discovered (because books simply happen to me, for me.) Palisades Park by Alan Brennert (St. Martin’s Press). An Amusement Park. The 1930s.  It’s like The Great Gatsby gone wild but brighter, and the grit is not hidden by the glitz.  A book full of dreams from back when safety nets did not exist. Complete with frozen lemonades and the warmth of day that lingers in the asphalt.  It’s something you only notice as a child, I think. But it’s magic. I read it on my Kindle with a fan blowing in my face and the sun shining. Yes. Read it. Now. Read it and reflect on the happiest summers that were magical because you lived and breathed thirty years of summer at an amusement park. You didn’t? Well sometimes I can’t separate books from my life.

Now, when I’m feeling really sentimental or have found a book I know I’m going to love so much, I always turn to some old, faithful book friends. I like to read them and introduce them to their new book friends. They won’t sit beside each other on my shelves unless they have the good luck to be written by authors who are alphabetically compatible, but when I glance over their spines, I’ll know they’re related.

So, it felt completely natural after these thoughtful, retro books, to pull out The Divine Secrets of the Ya Ya Sisterhood (Harper Perennial). Don’t judge me. I feel very protective about this book, and I can’t explain it. I have a soft spot for Rebecca Wells because she can tell a great southern story spanning decades that will have you tasting pecans, dissolving in the summer heat with your friends, and sounding just like my Great Aunt Sherry. And it’s a great, mostly light hearted finale to this summer reading list.

There you have it. Three absolutely perfect summer retro reads. Where the time is just as much of a character as the beaches as the roller coasters, as the people.  Read Palisades Park and make lemonade. Beautiful Ruins should be read after watching Cleopatra.  And the Ya-Ya’s?  Just make a shoofly pie and drink the lemonade mentioned above. Sugar is sugar, and there’s just enough salt in the pie to enhance the tartness of the lemons.

Happy reading.

Bell Bridge Books presents these fabulous summer reading titles for only $1.99 on Amazon Kindle Today!