Keeping it Real

Good news! Dakota Frost, Book 3, LIQUID FIRE, is on sale right now on Kindle—but if that’s not enough to tempt you, I wanted to let you know that there’s more to Dakota Frost than magic tattoos, teenage weretigers, political vampires, battling wizards, and the hatching of dragons!

The Dakota Frost series isn’t just an urban fantasy: it’s also a slice of real life. From the very beginning, I wanted to create the feeling of a real world, not the experience of reading a stage play in prose. That’s why I created the series as a “period piece” set in Atlanta in 2006—the last time I lived in Atlanta for any extended period.

When I create each new book, I dig into the history and locations, trying to set the story in real places I’ve been and to flesh out the story around real events. In FROST MOON, I used Atlanta’s counterculture mecca, Little Five Points, as a backdrop for the action, and the upcoming midterm elections as texture for my political heroine.

In the sequel, BLOOD ROCK, I had to create a wholly unreal place—the backwoods Georgia town of Blood Rock, based on that giant granite boulder, Stone Mountain. I drove out to Stone Mountain, Georgia, hiked through the park, navigated through nearby neighborhoods, and filled it with my experiences of small town life.

But for the third book, LIQUID FIRE, I wanted to do more. I had since moved to the Bay Area, and discovered “restaurants for vampires” like the dark red curtained Asia de Cuba in San Francisco and the quirky Nola restaurant in Palo Alto and all its nearby alleyways. I walked the streets and took extensive pictures for the Battle of Union Square, incorporating real features like the giant heart statue at its corner.

One of my favorite sequences is a diversion with magical alchemist Professor Narayan Devenger and the ensuing battle outside the Stanford Bookstore. A very real and creepy building with a medieval looking tower helped set the direction for the book; a fountain outside the bookstore became a setting for great action.

For the climax, however, I wanted something more, and I already had something special in mind: Maui. I had visited Maui for work and had spent an afternoon climbing through its mountains and forests, which impressed me far more than its beaches, which I hardly visited. And a volcano sparks the imagination. So for the climax of LIQUID FIRE … well, that would be telling, wouldn’t it?

So if you want to catch up with magical tattooist Dakota Frost, her weretiger daughter Cinnamon Frost, or just want to experience the nooks and crannies of Atlanta, the Bay Area and Maui as seen through the eyes of an urban fantasist, check out LIQUID FIRE!

-Anthony

Pick up the rest of Anthony Francis’s titles from Bell Bridge Books!

The Skindancer Series: Books One and Two

Jeremiah Willstone: Book One

When Inspiration Finds You, Pounce on it!

Alright, I’ll admit it: I didn’t start out liking steampunk. When The Difference Engine came out, I just didn’t get it. I mean, Charles Babbage’s Difference Engines actually working, much less changing Victorian society? I didn’t buy it. Looking back, I think I just didn’t like alternate history, as I found other, similar novels off-putting.

But as I grew, I watched the steampunk movement grow too, hand in hand with the burgeoning maker community. At the same time I started attending the Maker Faire and admiring all the amazing contraptions our modern independent inventors were coming up with, I started noticing more and more steampunk costumes expressing the same kind of gutsy do-it-yourself, throw-it-all-together flair.

It all came together for me at Dragon Con 2009, where from the very first day I encountered a cavalcade of steampunks in amazing costumes – men with coffee blasters, women with clockwork wings, a young female soldier with a gearwork gatling gun incongruously grabbing a burrito at Willy’s in the food court.

And every costume was covered with brass, gears, and goggles! Now, I started out writing Larry Niven-style hard science fiction, so I asked myself the question: what would make the technology used by steampunks so different from our own? And as soon as I asked that question, I was hooked.

The brass? Clearly they’d invented some lightweight supermaterial with a brass finish. The gears? Clearly they used clockwork computation (damn it, you win, William Gibson!) And the goggles? Why, of course, to protect their eyes from the ultraviolet rays—nay, the period-appropriate actinic rays—of their rayguns!

And the female soldier? Well, that was a harder nut to crack, given the attitudes of the Victorians, but soon I found the answer. Women’s liberation actually started in the early eighteen hundreds, promoted by Mary Wollstonecraft, the mother of Mary Shelley—but when Wollstonecraft died in childbirth, her movement died with her.

But what if antibiotics had been discovered in the seventeen hundreds?

Then it all fell into place. In my steampunk world, Mary Wollstonecraft survived. Women’s liberation flourished in the early eighteen hundreds, and women flooded the sciences. Many other scientists who died young in our world also survived because of antibiotics. With more than twice as many brains working on hard problems, their world became more advanced in 1908 than our world is today.

And that’s the world Jeremiah Willstone was born into … and the world of the Clockwork Time Machine.

I hope you have fun there!

Pick up Anthony Francis’s newest title – JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE today! Available at these retailers:

Amazon: http://amzn.to/2lhOxeD

Kobo: http://bit.ly/2ld3m1T

Barnes and Noble: http://bit.ly/2lLRS9m

Google: http://bit.ly/2mhT3uK

About the Author:

By day Anthony Francis studies human and other minds to design intelligent machines and emotional robots; by night he writes fiction and draws comic books at the collision point of hard science and pure fantasy. He was inspired to study artificial intelligence by Douglas Hofstadter, to become a writer by Isaac Asimov, and to write urban fantasy by Laurell K. Hamilton and Richard P. Feynman. He got his Ph.D in AI and his brown belt in Taido from Georgia Tech; he currently supports his out-of-control reading and writing habits by working at the Search Engine That Starts With a G. Anthony lives in San Jose with his wife and cats but his heart will always belong in Atlanta.

Anthony Francis, author of the Dakota Frost SkinDancer series (urban fantasy set in Atlanta, GA) reads from his books at the Georgia Institute of Technology library during Dragon Con week. Francis is a GT alumni.

DAKOTA FROST: A Reading by Author Anthony Francis

Anthony’s EPIC statue arrived this week and he sent a photo of it standing proudly atop a copy of Frost Moon and backed by the artwork of his talented pro-artist wife, Sandi Billingsley.

Click here to visit her very cool gallery

 http://www.studiosandi.com/gallery/environmental/basic%20black.html

We’re wondering if this cat girl wasn’t inspired by Cinnamon, the teen feline shifter in Frost Moon.

Sandi also creates paper sculpture and truly fascinating works made from recycled cloth, packing materials and other stuff (she is not shy about calling her materials “garbage.”)

News Flash:

A DOG NAMED SLUGGER & FROST MOON Take Top Honors at EPIC Awards

SATURDAY, MARCH 12

WILLIAMSBURG, VA.

THE EPIC AWARDS, THE OLDEST CONTINUING AWARD (12TH YEAR) HONORING EBOOKS AND E-PUBLISHING, HAS CHOSEN LEIGH BRILL’S A DOG NAMED SLUGGER FOR TOPS IN NON-FICTION AND ANTHONY FRANCIS’S FROST MOON FOR TOPS IN FANTASY.